Moroni was born and raised in Genoa, Italy, and took to jazz early. "My parents bought a piano for my sister, but she didn't show a lot of interest in it. When I came along, I was immediately taken with it from the age of three. My father was always playing jazz records in the house - people like Earl Hines, Fats Waller and Count Basie. I fell in love with those records, and started trying to imitate them on the piano. My mother, who played accordion, saw how interested I was in the instrument, and put me on her lap to explain the difference between major and minor chords. And that was the beginning!"
Originally self-taught, Moroni would heed the advice of a family friend and study piano formally, eventually gigging with local Italian, as well visiting American musicians. Unsure he'd be able to mount a successful career in music, Moroni actually enrolled in law school. But a chance encounter accompanying famed bebop trumpet pioneer Dizzy Gillespie would forever alter Moroni's musical path, with the elder jazz statesman telling him, 'Man, there are too many lawyers out there. You should play piano!' "That was the turning point," Moroni says. "I decided right there that I could make a living doing what I loved to do. So I took him seriously, and quit law school!" Moroni's love for the jazz language is evident across all seven tracks of Live in Beverly Hills. The album opens with Moroni's fierce left-hand anchoring a sea of buoyant band interplay on his own "Ghanian Village," complete with Kenny Barron-esque piano proddings that recall the elder pianist's rhythmic renegade. "If I'm playing a song and I hear a sound that makes me think of someone like Kenny Barron, who I love and is one of my dearest friends, I say hello to him in the music," Moroni says. Other infectious album cuts include a metrically-modulating romp through famed Modern Jazz Quartet pianist John Lewis' "Django," as well as a Bossa Nova-infused take on "Where Is Love?" from the musical Oliver!
Edgardo Dado Moroni, born in Genoa, Italy on October 20, 1962, was exposed to jazz music very early, thanks to his parents' record collection and he started playing piano at age 4.
Nowadays Moroni is one of the most considered Italian musician in the USA (also one of Ron Carter’s favourite pianist), a very rare case of super “musicians” musician.
He performed in Italy and all over the world with Clark Terry, Chet Baker, Freddie Hubbard, Dizzy Gillespie, Billy Cobham ,Jimmy Owens); an extraordinary approach to the instrument that touch deeply the listener. He was a an enfant-prodige and plays many instruments with rare ability. From age 14 Dado started playing professionally all throughout Italy with some of the most important Italian players like Franco Cerri, Tullio De Piscopo, Luciano Milanese, Gianni Basso, Sergio Fanni and Massimo Urbani and at 17 he recorded his first album in trio with Tullio De Piscopo and American bassist Julius Farmer.
He played and recorded with an impressive number of very great international musician: Phil Woods, Tom Harrel, Johnny Griffin.Niels-Henning Oersted Pedersen, Tony Scott, Wynton Marsalis, Freddie Hubbard, Harry "Sweets" Edison, Ron Carter and many others. He took part in two historic band like the Paris Reunion (with Joe Henderson, Woody Shaw, Curtis Fuller, Johnny Griffin e Jimmy Woode) and the Mingus Dynasty (con Danny Richmond, Jinny Knepper, John Handy, Craig Handy and Reggie Johnson).
Now is playng in a new quintet called "the cube". Recently he recorded for Abeat two cds with Tom Harrell : "humanity" a piano/tromba duet ( Abeat 2007 )and " the cube" ( 2008 Abeat ).
The cds are distributed by iRD and available on www.abeatrecords.com
Photo ©Roberto Cifarelli e Mariagrazia Giove